ANU New Music Ensemble and Uncut Percussion:
A concert hosted by the newly formed Experimental Music Studio featuring debut performances by the ANU New Music Ensemble and guest artists Uncut Percussion. The concert consisted entirely of music by living composers including Gerhard Stäbler, Kunsu Shim, Earle Brown, George Brecht and Apparat (arranged by Uncut Percussion’s, Veronica Bailey). The ANU New Music Ensemble also performed a world premiere of Kyle Gann’s, “The Stream” as well as compositions by ANU’s new composition lecturer Alexander Hunter and student composers Gillian Colgan and myself. Uncut Percussion premiered my percussion quartet Perks for Perc’s.
Between August 15 and September 28 the Drill Hall Gallery hosted “Colour Music”, an exhibition of both art and music. It featured musicians such as Warren Burt as well as ANU’s Experimental Music Studio. I was lucky enough to have two tape compositions premiered as well as a premiere of “Borrowed Time”, a piece for the newly formed ANU Toy Ensemble.
2014 saw the birth of the Experimental Music Studio’s Improvisation Ensemble. We had the chance to perform several times this year in a variety of settings, however the highlight for the ensemble was definitely winning first prize in the ANU Chamber Music Competition.
An annual new music concert featuring works composed and performed by students at the School of Music. This year was a fantastic example of collaboration between the ten composers who presented pieces and a good chunk of School of Music students who helped perform these new works. In this concert my piece, “C4” was premiered by members of the ANU New Music Ensemble Millie Watson (piano), Malcolm Newland (percussion), Nichaud Munday (flute) and Helena Popovic (violin).
Larry turned 80 this year, and boy does Australia know it! This concert was just one of many celebrating Larry Sitsky and his prolific career. Specifically for this concert I composed, “Binsfeld’s Demons”, dedicated to Larry, written for the ANU Chamber Orchestra, and conducted by myself.
Local guitarist Matt Withers hosted a composition competition, and my piece, “Insect Reflection” came second place. It received its premiere at the concert, “Music With a View” held at the National Arboretum in Canberra and performed by the guitar entrepreneur himself.
In December of this year the Experimental Music Studio and friends represented Canberra in the worldwide day of In C, celebrating 50 years of Terry Riley’s pivotal composition. We were one of over 30 cities from around the world to participate. Click here for our performance.